- Darida's paintings are oils on canvas which combine Flemish and
Venetian techniques.
- Detailed and precise drawing directly on canvas (to create texture). This is very unusual. Most aretists create and change as they
work. Darida does not have this luzury.
- Daridea must see the complete painting before beginning to paint.
- Darida "sculpts" the canvas first before layers of paintings are added.
- Textural areas are built up by using Venetian paste. There can be no mistakes...this "frames" many areas of the work.
- Ten to fifteen layers of paint are applied individually to give the translucent affect of flesh tone.
- Creates inner luminescence and giving the old master flesh tone for realism.
- Light comes from within ("...as in each of us when we are at peace") giving the Flemish master's affect of Chiaroscuro - an affect of light and shadow that rembrandt uses.
- Common Themes and Elements to Discuss with Potential Collectors
- Music, Mother and Child, Women - Reflect the artist's passions and background (warm, close family...mother and father love for each other romantically expressed in morning ritual)
- Instruments are all from medieval period (harp, lira, ciola and ciolin - woman's shape, flute - sounds like a whisper)
- Warm colors are used to enhance sense of warmth and security.
- Eyes - Why are all darida's eyes closed? "Everybody has to close thier eyes to dream. Sometimes, you do dream. Sometimes you don't...but, you always hear the music better."
- Simple Faces, Simple Shapes - "makes my subjects more accessable to the viewer"; reflects
innocence, childlike emotions (no conflict, no complexities).

Gallery One Writer's Square
Paintings Graphics Sculptures
© gallery one writer's square, all rights reserved